1996-1998: Dancing on Second Avenue
From 1996-1998, I pursued my MFA in Dance Performance and Choreography at New York University’s Tisch School of the Arts in the Department of Dance. At the time, the MFA program had a conservatory training focus with an emphasis on technique and artistry. Opportunities to make work and perform on the main stage were an essential part of the program.
Tisch Dance lives at 111 Second Avenue in the heart of the East Village. At that time, many of the institutions, cafes, shops, and artists who had set up camp during the 70s and 80s still had their long-term leases. The fabric of rebellion, funk, punk, edge, and grit was intact, though in jeopardy. In hindsight, and in witness of so much change to that neighborhood in recent decades, I realize how fortunate I was to mingle in the East Village community during the 90s. It was impossible to go to a cafe or run an errand and not meet an actor, musician, or performer. These encounters made me feel part of a larger movement of art and performance percolating within feet of a studios where I was training and making my own work.
When I moved to NYC in 1994, I knew I had found home. What I didn’t know was that the doors at 111 Second Avenue would be the ones I would go in and out of the most over the next three decades. Content below is a special walk down memory lane, performing and choreographing in the Fifth Floor Theatre 1996-1998.
A Bach Suite (1997)
Music by: Johann Sebastian Bach, Fugue in E-flat Minor, Prelude and Fugue in C Minor, from Well-Tempered Clavier, Book 1, Two Part Invention in F Major
Music performed by: Wendy Carlos
Lighting by: Dale Knoth
Performed by: Miguel A. Estefan, Jr., TaraMarie Perri, Alexandra Sawyier
I See a Woman (1997)
Directed and choreographed by: Molly M. Emott and TaraMarie Perri
Text by: e.e. cummings
Painting: Taken from Nude Descending a Staircase by Marcel Duchamp
Music by: Uki Kittaka
Sets by: Christa Kelly
Lighting by: Dale Knoth
Costumes by: Elea Crowther
Performed by: Ioana Alfonso, Magdalena Jarkowiec, Jennifer Martinez, Alexandra Sawyier
Reflection (1998)
Choreographed by: Amanda Exley Lower
Capriol Suite (1998)
Choreographed by: David Allan
Morning Glory (1996)
Choreographed by: Cherylyn Lavagnino
Tangents (1997)
Choreographed by: Cassandra Phifer
Griffin & Sabine (1997)
Choreographed by: Brian Caggiano
Voices Within (1998)
Choreographed by: Allen Lam
Music by: Antonio Vivaldi, Nulla in Mundo Pax Sincera in E
Lighting by: Dale Knoth
Performed by: Erin Bahn, TaraMarie Perri, Alexandra Sawyier
Night Wind Woman (1996)
Choreographed and performed by: TaraMarie Perri
Text: “Fire” by Joy Harjo; read by Amanda Exley Lower
Music: Traditional (Kevin Locke, vocalist), “Night Vision,” “Spring Wind”
Lighting by: Josh Bradford
Pale (1998)
Choreographed by: TaraMarie Perri, with the dancers
Music composed by: TaraMarie Perri
Sound engineering by: Amanda Exley Lower
Lighting by: Dale Knoth
Costumes by: TaraMarie Perri
Performed by: Erin Bahn, Amanda Exley Lower, Meredith Mandel
New York University Tisch School of the Arts
Department of Dance (1996-98)
Chair, Kay Cummings
Ballet
Cherylyn Lavagnino, Jaclynn Villamil, James Martin,
Tere O’Connor, Cassandra Phifer, Patricia Beaman, Liz Frankel
Modern and Contemporary
Gus Solomons jr, Gwen Welliver, Joy Kellman, Nicholas Leichter
Dance Composition: Phyllis Lamhut
Dance History and Criticism: Deborah Jowitt
Acting: Kay Cummings
Music: William Moulton
Pilates: Kathy Grant
Graduate Assistantship in Production
Faculty Advisors: Kay Cummings and Linda Tarnay